He can pay the ransom, leave them alone, or declare that he's going to fight them… in which case the gangsters EXECUTE THE HOSTAGE, and THEN fight Brad. A fairly good example of this is in an optional scene, where Brad can encounter some gangsters holding a man hostage. Brad solves his problems with violence, and it only results in suffering followed by more problems. Brad Armstrong deconstructs the senseless violence of protagonists everywhere- because nearly every problem he encounters is at least indirectly related to something in his own past. Instead, you are handed control of a tired old man (and later, a younger character inspired by their actions).
HARDCORE GAMING 101 UNDERTALE SERIES
The Lisa series does not star a blank slate. The player has limitless power in Undertale, up to simply deleting the root directory files if the consequences of No Mercy displease them, so in a way there is a certain responsibility to respect the game world… In Undertale, violence is a cop-out, an easy solution that technically works but is totally unneeded for the player, an immortal entity that defies time and space.
Undertale starts with a blank slate protagonist, literally an innocent child, and blames the player for corrupting them. It has a stance similar to Undertale when it comes to violence, but with a different angle on it. Having thought deeply about the nature of violence in video games, and the consequences that often get glossed over, have you ever considered "Lisa: The Painful RPG"?
HARDCORE GAMING 101 UNDERTALE TV
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